Sunday, February 16, 2014

Response To Course Material 2/16

Rosencrantz and Guildenstern Are Dead

Over the past few weeks, the AP Lit classes have been reading Tom Stoppard's play that led to existential discussions of the play's meaning and the commentary it makes on life.  To be honest, the only thing I got from this play was perhaps the irony of its existence.

 Hamlet is considered one of the greatest plays ever written because it poses many questions about what it means to be human. Stoppard's goal (in my eyes) for writing Rosencrantz and Guildenstern Are Dead was to make the point that Shakespeare is not God. He makes his point by taking the least significant characters from Hamlet and writing a play full of open questions. At first glance, the play seems merely the story of two babbling, directionless messengers for Elsinore. But this idea will not do for the intellectual crowd.Stoppard must be making a ground breaking existential discovery, right?

It is hard to say that Stoppard had no intentions of making a statement with his play, but the message does not enter anything too philosophical. He knew he could conduct the attention of an intellectual audience who would spend money to watch this play over and over, and write essays  trying to answer the "big question." I believe the point of Stoppard's play is that humans are incapable of finding that answer in actual life and his play. Yet, here we are trying to crack the code anyway.

During our last class discussion, fellow classmates began to reach similar conclusions to mine that their is no meaning to the play. Ms. Holmes said that reaching this realization meant we were making headway in our discussion, which seems so odd to me. We think their is no significance to the play, however there is still more to uncover? I am looking forward to our next discussions and what more meaning my classmates will dig up because I am fresh out of ideas.

Lecture on Stoppard, Rosencrantz and Guildenstern Are Dead  by Ian Johnston
Ian Johnston's essay discussed the possible categories Rosencrantz and Guildenstern Are Dead could fall under with evidence from the play and film. It is always nice to hear articulate opinions about literature you have read and I found some of Johnston's points interesting. However, most of it just reminded me of my class discussions. We hit on a lot of the points Johnston does, and end them the same too--open ended and without any conclusions. This author wrote his essay in the contradicting, non conclusive style of Stoppard's play. At first I was irritated that the essay did not wrap up nicely, but it opened my eyes too. My class could not find or agree on an overall conclusion of what this play is about, and neither could this established author and critic. So, what does this mean? "I'm not going to answer that. After all, times being what they are...."
Film
The film adaptation, directed by Tom Stoppard, was really well done. How can you argue with a film that was directed by the author of the play it is based off. I specifically loved the part where the player's all wore masks when they reenacted Old Hamlet's murder. The player's portrayed the notorious story through what seemed like a lyrical dance. There were some clear differences between the film and play as well. The one that sticks out the most is the closing scenes of the players packing up their caravan in the woods after Ros and Guil are hung. My AP Lit pals and I discussed how this ending was similar to when the character wakes up and realizes it was all just a dream.  Another interesting point in the film was how Rosencrantz would unknowingly make scientific discoveries (e.g. water displacement/volume). His child-like curiosity made me think that Stoppard was making a comment on how children are happier in life because they have no interest in understanding why they are alive. They are content with just living.
Open Prompt Assistance
Ms. Holmes thought the introductory paragraphs of out open prompts needed some serious fine tuning, so we dedicated a portion of class to revisit the basics of writing intros. I appreciate the class time we put aside to prepare for the upcoming AP Lit test and the first day of the lesson was helpful. I realized I wasted a lot of time reading the "how to write" documents instead of getting right to work like most of my classmates.

1 comment:

  1. Jeez, Audrey. So critical of Stoppard and R&G... I wonder if you still feel this way after having discussed the play some more. You do make some interesting points, though, such as about Stoppard's pointing out the lack of meaning in life and in his play. But I take it from the existential standpoint. Just because one cannot pin down a definitive meaning of the play does not mean that is has none. I think Stoppard's play is rife with meaning, but it's up to the reader to decide what it means to them. That is the essence of existentialism--personal meaning. To me, to go along with the whole meta motif in the play, part of the meaning of Stoppard's play is exactly to point out that the intensely personal aspects of literature often translate to life in the existential sense. What do you think?

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