Author
Tom Stoppard co-wrote the screenplays for Brazil, The Russia House and Shakespeare in Love, and has received one Academy Award and four Tony Awards. Themes of human rights, censorship and political freedom pervade his work along with exploration of linguistics and philosophy. Rosencrantz and Guildenstern Are Dead was Stoppard's first play to receive significant recognition.
Setting
The story begins in " a place without any visible character" (pg. 11) during Elizabethan times. The two main characters also spend time in Shakespeare's fictional castle, Elsinore, and on a ship at sea.
Characters
Rosencrantz-
Guildenstern's traveling companion and best friend. In Elsinore, he is recognized as on of Hamlet's best friends and is given a task to find out why Hamlet has been acting so depressed lately. Rosencrantz appears more dim than Guildenstern, but also has an unique curiosity and seems overall more content with life than his friend.
Guildenstern
Rosencrantz's traveling companion and best friend. He has pretty much all the same characteristics as Rosencrantz to the point that people always get confused between the two. Guil is very frustrated with the lack of answers there are about who he is, what his purpose is, and what will happen when he dies.
The Player
He is the conductor or leading actor of his own traveling company. He makes a lot of sexual innuendos and offers Ros and Guil a "show" in the beginning of the play. He seems like the all knowing character and acts as a guide to Ros and Guil and already know what their fate will be. He also points out the many differences between actors and regular humans.
Tragedians
The actors in The Player's traveling caravan of actors. Alfred in a particular actor who is singled out as meek, exploited, and a victim to the moral declination of art. The Tragedians end every play with a gruesome/tragic death and several time through out the play act out scenes from Hamlet. There is a theory that the entire play is actually performed by the Tragedians and R&G are unaware that they are acting too.
Other Characters from Hamlet
The characters include the tragic play's regular gang: Hamlet, Ophelia, Claudius, Gertrude, Polonius, and Horatio. The lines are word for word from Shakespeare's original play and they are not affected by Rosencrantz and Guildenstern's confused state and only acknowledge their presence in the scenes where it was already written (when they interacted with characters in Hamlet). There are theories that these parts are played by the Tragedians and the whole story takes place on The Player's caravan.
Plot
- Ros and Guil are traveling by horse through an unidentifiable place. Ros is flipping a coin and it lands on heads every time
- All they can remember prior to the moment we first encounter them is being awakened by a messenger
- Hear drumming and see a wagon full of traveling actors (The Player & Tragedians)
- The Player indirectly offers R &G an erotic show (that they can "take part in"). Once Guildenstern realizes what The Player is suggesting he is disgusted by the troop however, R&G beat The Player in a coin toss and request a classic tragedy performance as their prize.
- The Player moves his foot that was covering the coin and Ros discovers that it miraculously landed on tails. This marks a significant shift in events and setting for the play.
- R&G get on the actors' wagon and the lighting changes and R&G end up in Elsinore in the plot of Hamlet
- They arrive in perfect time when Gertrude and Claudius call upon them to find out what "afflicts" their dear Hamlet.
- They wait for Hamlet to find them.
- They discuss what could possibly be bothering Hamlet and they flat out discuss how complicated and backwards his family is, but do not diagnosis it as the reason for his madness.
- The players arrive to Elsinore to preform the "Murder of Gonzago",upon Hamlet's request. The Player tries to explain to R&G about why they are there and to accept the truths around them.
- R&G play the question game
- After the disastrous play, Claudius sends Hamlet off to England with R&G following him closely behind.
- The setting/time shifts and R&G find themselves in a dark space, later discovering they are inside a boat
- Ros and Guil try to remember where they last left off, Ros contemplates if he even wants to go to England, and they happen to read Claudius' note to the King that orders Hamlet to be killed in England.
- R&G got to bed and Hamlet swaps out the letter overnight with a new one that orders R&G to be murdered.
- Cue Pirates
- R&G think that the whole trip pointless because Hamlet escaped. They open the letter to read to The Player and are stunned when they read that they are supposed to be put to death. They complain to The Player that they didn't get enough time and are confused by what their untimely death sentence means.
- The Player demonstrates how actors are the master of death because people believe an acted death more than a literal one.
- Guild decides that dying means nothing and is simply the "absence of presence" and Ros admits that he is relieved that he is about to die.
- Their last lines are inconclusive and suggests that they have another shot at life in the future and they disappear from the stage.
- There is not a lot of description given about the appearance of the stage or characters. It can lead the reader to think that the characters are roaming around in a featureless, surreal place.
- In ACT I when R&G are playing the question game, they keep track of points like a tennis match. This paired with the constant back and forth fashion of the game mimic a real tennis match.
Symbolism
- In the beginning, every time Ros or Guil flip a coin hundreds of times, and every time it lands on heads. When The Player arrives and invites them on his cart for a play, the coin is found tails up. This marks a moment of change.
- Guildenstern's bag of coins is described as half empty and Ros' half full. This provides some insight on their contrasting demeanor and perspectives on life.
- England could be thought of as Heaven and the King of England as God
- The boat could represent the motion of life to accentuate that R&G are getting closer to their ultimate fate, and are agreeing to not take serious control of the direction of their life.
Quotes
"Ros: Am I dead?
Guil: Yes of no?
Ros: Is there a choice?
Guil: Is there a God?" (Stoppard 43)
These questions hint at the main questions many people feel this play is asking or the ones Stoppard is waving in front of the audience to make a decision about. After reading this play, I really do not know if the work answers any of these questions except, that people do not have a choice if they die or not.
"truth is only that which is taken to be true. It's the currency of living. There may be nothing behind it, but it dosen't make any difference so long as it is honoured" (67).
Most of what the Player says is profound and seems important to the meaning of the play. Therefore, I found this quote very interesting seeming how parts of this play seem so bizarre and conflict with the reader's view on reality and what qualifies as normal. I like that his play challenges the audience about what they believe in to a point that almost makes them uncomfortable.
First of all, whitespace? I dunno what's up there, but it's a little inconvenient. Not an issue, but nevertheless. For your summary, it seems you started off being more detailed than you ought to have been, and then switched to a much more concise summary once you got to to a certain point where you realized how you started. I did the same, to some degree, but I would advise you to take out some of the information from earlier in the play. It's not necessary to have it all there, as most of it is what you'll remember immediately once you start getting back into it. Just the outline is needed.
ReplyDeleteIn your discussion of characters, you seem to talk more about the Rosencrantz & Guildenstern presented in Shakespeare's "Hamlet," rather than Stoppard's play. The characters we've been discussing for weeks are so much more, and your descriptions here aren't going to do as much for your studying as you would probably want them to, come May.
I think it would be worth mentioning color and light in your imagery section, but I like that you included the lack of imagery in some cases. I think that "void" idea is very important in the play, so it's definitely worth noting.
Your first two notes in symbolism aren't really symbolism at all. For your first one, that is symbolism, but you don't really talk about it as such, you just summarize what happens, so definitely go into depth on the symbolism of the coins, and then from there you can talk about what the "tails" means in that scene. As for your second one, the way something is described is not really symbolism. It's just figurative language carrying a second meaning, in this case referring to the philosophies of the primary characters. All in all, good post.